Modules / Lectures


New Assignments
Module NameDownload
noc19_hs27-assessmentid-106noc19_hs27-assessmentid-106
noc19_hs27-assessmentid-108noc19_hs27-assessmentid-108
noc19_hs27-assessmentid-109noc19_hs27-assessmentid-109
noc19_hs27-assessmentid-110noc19_hs27-assessmentid-110
noc19_hs27-assessmentid-111noc19_hs27-assessmentid-111
noc19_hs27-assessmentid-112noc19_hs27-assessmentid-112
noc19_hs27-assessmentid-113noc19_hs27-assessmentid-113
noc19_hs27-assessmentid-114noc19_hs27-assessmentid-114

Sl.No Chapter Name English
1Lec 01 - The Body of MusicDownload
Verified
2Lec 02 - Music everywhere finding the classicalDownload
Verified
3Lec 03 - Classical Music Art MusicDownload
Verified
4Lec 04 - Music through Melody & Music through HarmonyDownload
Verified
5Lec 05 - Musical Material A Hard LookDownload
Verified
6Lec 06 - Musical material Mo2Download
Verified
7Lec 07 - Carnatic Music as Raga MusicDownload
Verified
8Lec 08 - Understanding Raga - Part IDownload
Verified
9Lec 09 - Understanding Raga - Part II (Raga and Swara)Download
Verified
10Lec 10 - Understanding Raga - Part III A Glimpse into Gamaka (Ornamentation) and PhraseologyDownload
Verified
11Lec 11 - Swara in the Sanskrit Textual TraditionDownload
Verified
12Lec 12 - Sruti in Sanskrit Textual traditionDownload
Verified
13Lec 13 - TamburaDownload
Verified
14Lec 14 - Gamaka I Download
Verified
15Lec 15 - Gamaka II Download
Verified
16Lec 16 - Gamaka III Download
Verified
17Lec 17 - Gamakas IV Download
Verified
18Lec 18 - Raga and Phraseology Download
Verified
19Lec 19 - Raga - some basic expectationsDownload
Verified
20Lec 20 - A string of Ragas and a teaserDownload
Verified
21Lec 21 - Raga in the textual traditionDownload
Verified
22Lec 22 - Classification of Ragas IDownload
Verified
23Lec 23 - Classification of Ragas IIDownload
Verified
24Lec 24 - Mela system of classifying raga-sDownload
Verified
25Lec 25 - Generating the 72 mela-sDownload
Verified
26Lec 26 - Application of 72 melaDownload
Verified
27Lec 27 - Katapayadi Naming the 72 melasDownload
Verified
28Lec 28 - Vivadi IDownload
Verified
29Lec 29 - Vivadi IIDownload
Verified
30Lec 30 - Raga - Circles and TrianglesDownload
Verified
31Lec 31 - Laya: temporal discipline in music.Download
Verified
32Lec 32 - Tala an Introduction to the ConceptDownload
Verified
33Lec 33 - More on Tala and layaDownload
Verified
34Lec 34 - Aspects of Tala - IDownload
Verified
35Lec 35 - Aspects of Tala - IIDownload
Verified
36Lec 36 - Aspects of Tala - IIIDownload
Verified
37Lec 37 - Aspects of IVDownload
Verified
38Lec 38 - Composition in Carnatic MusicDownload
Verified
39Lec 39 - an IntroductionDownload
Verified
40Lec 40 - Varnam and laya intricaciesDownload
Verified
41Lec 41 - Kriti the premier compositional form in Carnatic musicDownload
Verified
42Lec 42 -Kriti some basic featuresDownload
Verified
43Lec 43 - Precursors to the KritiDownload
Verified
44Lec 44 - Bhakti and Carnatic Music: Metaphor, World view and Yearning in Carnatic compositions.Download
Verified
45Lec 45 - Tanjavur and the Carnatic TrinityDownload
Verified
46Lec 46 - Tyagaraja, the VaggeyakaraDownload
Verified
47Lec 47 - Tyagaraja and His Many Moods -IDownload
Verified
48Lec 48 - Tyagaraja and His Many Moods IIDownload
Verified
49Lec 49 - Muthuswami Dikshitar an overviewDownload
Verified
50Lec 50 - Muthuswami Dikshitar the Sanskirt Scholar and AdvaitinDownload
Verified
51Lec 51 - Muthuswami Dikshitar Some Other Aspects of his Work.Download
Verified
52Lec 52 - Syama SastriDownload
Verified
53Lec 53 - Tamil Composers before the trinityDownload
Verified
54Lec 54 - Post trinity ComposersDownload
Verified
55Lec 55 - Swathi Tirunal - the Versatile Royal ComposerDownload
Verified
56Lec 56 - The Romance of Padam and JavaliDownload
Verified
57Lec 57 - TillanaDownload
Verified
58Lec 58 - Improvisation in Carnatic Music - AlapanaDownload
Verified
59Lec 59 - ALAPANA : Style and AestheticsDownload
Verified
60Lec 60 - Neraval and SwaraprastaraDownload
Verified
61Lec 61 - TANAMDownload
Verified
62Lec 62 - An expostion of Balagopala,a kriti in the rega Bhairavi with alapana, neraval and swaraprastara followed by tani AvartanamDownload
Verified
63Lec 63 - Accompaniment in Carnatic Music - The ViolinDownload
Verified
64Lec 64 - Percussive Accompaniment - the MridangamDownload
Verified
65Lec 65 -Subsidiary Accompaniment - Interaction Among AccompanistsDownload
Verified
66Lec 66 - Perscussion MRIDANGAMDownload
Verified
67Lec 67 - Percussion KANJIRADownload
Verified
68Lec 68 - Percussion GhatamDownload
Verified
69Lec 69 - Percussion MorsingDownload
Verified
70Lec 70 - Percussion Korvai and Thani avartanamDownload
Verified
71Lec 71 - The Typical carnatic Concert And Ragam Tanam Pallavi RTPDownload
Verified
72Performing arts, dramaPDF unavailable
73Dance & musicPDF unavailable
74Raga-Concept and Presentation in Carnatic and Hindustani MusicPDF unavailable


Sl.No Language Book link
1EnglishNot Available
2BengaliNot Available
3GujaratiNot Available
4HindiNot Available
5KannadaNot Available
6MalayalamNot Available
7MarathiNot Available
8TamilNot Available
9TeluguNot Available