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Sl.No Chapter Name MP4 Download
1Changing Definition of Folk and Minor ArtDownload
2Timelines and Regions: General MappingDownload
3Traditional Roots: Elements and PrinciplesDownload
4Timelessness: Primitive ConnectionDownload
5Evolution in Purpose: Ritualistic to PropagativeDownload
6Contemporary PracticeDownload
7Classification and Connections: Traditional RootsDownload
8Early Literary ResourcesDownload
9Mythical Associations Download
10Idea of Nationalism and Modernism in the Context of Folk Art-I & IIDownload
11Relevance of the Art PracticeDownload
12Contextualization and DecontextualizationDownload
13Concept of Communication for Social PurposeDownload
14Aesthetic PerspectiveDownload
15Secularity and Religious PluralityDownload
16Ethnographic perspective on the study of Folk Art and CultureDownload
17About the Exponents who brought the culture under the LimelightDownload
18Commonality and Congruity in the Diverse Content of ArtDownload
19School of Art in Madhubani PaintingDownload
20Art as a Feminine Preserve vs the Male painters of MadhubaniDownload
21Yamapata, Pytkar and other art practice of Jharkhand: Yamapata by the Jadopatias, Sohari Painters and their ArtDownload
22Patachitra of Bengal Download
23Patachitra of OdishaDownload
24Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 1Download
25Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 2Download
26Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 3Download
27Case study - 1: Gond ArtDownload
28Case study - 2: Bengal PatachitraDownload
29Case study - 3: Madhubani PaintingsDownload
30Characteristics of Contemporary Collection- Semiotic AnalysisDownload
31Characteristics of Contemporary Collection- Thematic and Iconic AnalysisDownload
32Characteristics of Contemporary Collection of Indian Folk and Minor ArtDownload
33Thematic Change in Contemporary Collection of Indian Folk and Minor ArtDownload
34Individual Expression in Contemporary Collection of Indian Folk and Minor Art Download
35Cultural Condition: Colonial and Postcolonial Bengal - Part IDownload
36Cultural Condition: Colonial and Postcolonial Bengal - Part IIDownload
37Contextualizing Folk idiom - Part IDownload
38Contextualizing Folk idiom - Part IIDownload
39Contextualizing Folk idiom - Part IIIDownload
40Coexistence and Collaborations with Mainstream ArtDownload
41Alternative Context: Place of Folk Art in Contemporary LifestyleDownload
42Need of Paradigm Shift - IDownload
43Need of Paradigm Shift - IIDownload
44EndnoteDownload

Sl.No Chapter Name English
1Changing Definition of Folk and Minor ArtDownload
Verified
2Timelines and Regions: General MappingDownload
Verified
3Traditional Roots: Elements and PrinciplesDownload
Verified
4Timelessness: Primitive ConnectionDownload
Verified
5Evolution in Purpose: Ritualistic to PropagativeDownload
Verified
6Contemporary PracticeDownload
Verified
7Classification and Connections: Traditional RootsDownload
Verified
8Early Literary ResourcesDownload
Verified
9Mythical Associations Download
Verified
10Idea of Nationalism and Modernism in the Context of Folk Art-I & IIDownload
Verified
11Relevance of the Art PracticeDownload
Verified
12Contextualization and DecontextualizationDownload
Verified
13Concept of Communication for Social PurposeDownload
Verified
14Aesthetic PerspectiveDownload
Verified
15Secularity and Religious PluralityDownload
Verified
16Ethnographic perspective on the study of Folk Art and CultureDownload
Verified
17About the Exponents who brought the culture under the LimelightDownload
Verified
18Commonality and Congruity in the Diverse Content of ArtDownload
Verified
19School of Art in Madhubani PaintingDownload
Verified
20Art as a Feminine Preserve vs the Male painters of MadhubaniDownload
Verified
21Yamapata, Pytkar and other art practice of Jharkhand: Yamapata by the Jadopatias, Sohari Painters and their ArtDownload
Verified
22Patachitra of Bengal Download
Verified
23Patachitra of OdishaDownload
Verified
24Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 1Download
Verified
25Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 2Download
Verified
26Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 3Download
Verified
27Case study - 1: Gond ArtDownload
Verified
28Case study - 2: Bengal PatachitraDownload
Verified
29Case study - 3: Madhubani PaintingsDownload
Verified
30Characteristics of Contemporary Collection- Semiotic AnalysisDownload
Verified
31Characteristics of Contemporary Collection- Thematic and Iconic AnalysisDownload
Verified
32Characteristics of Contemporary Collection of Indian Folk and Minor ArtDownload
Verified
33Thematic Change in Contemporary Collection of Indian Folk and Minor ArtDownload
Verified
34Individual Expression in Contemporary Collection of Indian Folk and Minor Art Download
Verified
35Cultural Condition: Colonial and Postcolonial Bengal - Part IDownload
Verified
36Cultural Condition: Colonial and Postcolonial Bengal - Part IIDownload
Verified
37Contextualizing Folk idiom - Part IDownload
Verified
38Contextualizing Folk idiom - Part IIDownload
Verified
39Contextualizing Folk idiom - Part IIIDownload
Verified
40Coexistence and Collaborations with Mainstream ArtDownload
Verified
41Alternative Context: Place of Folk Art in Contemporary LifestyleDownload
Verified
42Need of Paradigm Shift - IDownload
Verified
43Need of Paradigm Shift - IIDownload
Verified
44EndnoteDownload
Verified


Sl.No Language Book link
1EnglishNot Available
2BengaliNot Available
3GujaratiNot Available
4HindiNot Available
5KannadaNot Available
6MalayalamNot Available
7MarathiNot Available
8TamilNot Available
9TeluguNot Available