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Sl.No Chapter Name MP4 Download
1Changing Definition of Folk and Minor ArtDownload
2Timelines and Regions: General MappingDownload
3Traditional Roots: Elements and PrinciplesDownload
4Timelessness: Primitive ConnectionDownload
5Evolution in Purpose: Ritualistic to PropagativeDownload
6Contemporary PracticeDownload
7Classification and Connections: Traditional RootsDownload
8Early Literary ResourcesDownload
9Mythical Associations Download
10Idea of Nationalism and Modernism in the Context of Folk Art-I & IIDownload
11Relevance of the Art PracticeDownload
12Contextualization and DecontextualizationDownload
13Concept of Communication for Social PurposeDownload
14Aesthetic PerspectiveDownload
15Secularity and Religious PluralityDownload
16Ethnographic perspective on the study of Folk Art and CultureDownload
17About the Exponents who brought the culture under the LimelightDownload
18Commonality and Congruity in the Diverse Content of ArtDownload
19School of Art in Madhubani PaintingDownload
20Art as a Feminine Preserve vs the Male painters of MadhubaniDownload
21Yamapata, Pytkar and other art practice of Jharkhand: Yamapata by the Jadopatias, Sohari Painters and their ArtDownload
22Patachitra of Bengal Download
23Patachitra of OdishaDownload
24Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 1Download
25Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 2Download
26Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 3Download
27Case study - 1: Gond ArtDownload
28Case study - 2: Bengal PatachitraDownload
29Case study - 3: Madhubani PaintingsDownload
30Characteristics of Contemporary Collection- Semiotic AnalysisDownload
31Characteristics of Contemporary Collection- Thematic and Iconic AnalysisDownload
32Characteristics of Contemporary Collection of Indian Folk and Minor ArtDownload
33Thematic Change in Contemporary Collection of Indian Folk and Minor ArtDownload
34Individual Expression in Contemporary Collection of Indian Folk and Minor Art Download
35Cultural Condition: Colonial and Postcolonial Bengal - Part IDownload
36Cultural Condition: Colonial and Postcolonial Bengal - Part IIDownload
37Contextualizing Folk idiom - Part IDownload
38Contextualizing Folk idiom - Part IIDownload
39Contextualizing Folk idiom - Part IIIDownload
40Coexistence and Collaborations with Mainstream ArtDownload
41Alternative Context: Place of Folk Art in Contemporary LifestyleDownload
42Need of Paradigm Shift - IDownload
43Need of Paradigm Shift - IIDownload
44EndnoteDownload

Sl.No Chapter Name English
1Changing Definition of Folk and Minor ArtDownload
To be verified
2Timelines and Regions: General MappingDownload
To be verified
3Traditional Roots: Elements and PrinciplesDownload
To be verified
4Timelessness: Primitive ConnectionDownload
To be verified
5Evolution in Purpose: Ritualistic to PropagativeDownload
To be verified
6Contemporary PracticeDownload
To be verified
7Classification and Connections: Traditional RootsDownload
To be verified
8Early Literary ResourcesDownload
To be verified
9Mythical Associations Download
To be verified
10Idea of Nationalism and Modernism in the Context of Folk Art-I & IIDownload
To be verified
11Relevance of the Art PracticeDownload
To be verified
12Contextualization and DecontextualizationDownload
To be verified
13Concept of Communication for Social PurposeDownload
To be verified
14Aesthetic PerspectiveDownload
To be verified
15Secularity and Religious PluralityDownload
To be verified
16Ethnographic perspective on the study of Folk Art and CultureDownload
To be verified
17About the Exponents who brought the culture under the LimelightDownload
To be verified
18Commonality and Congruity in the Diverse Content of ArtDownload
To be verified
19School of Art in Madhubani PaintingDownload
To be verified
20Art as a Feminine Preserve vs the Male painters of MadhubaniDownload
To be verified
21Yamapata, Pytkar and other art practice of Jharkhand: Yamapata by the Jadopatias, Sohari Painters and their ArtDownload
To be verified
22Patachitra of Bengal Download
To be verified
23Patachitra of OdishaDownload
To be verified
24Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 1Download
To be verified
25Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 2Download
To be verified
26Continuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 3Download
To be verified
27Case study - 1: Gond ArtDownload
To be verified
28Case study - 2: Bengal PatachitraDownload
To be verified
29Case study - 3: Madhubani PaintingsDownload
To be verified
30Characteristics of Contemporary Collection- Semiotic AnalysisDownload
To be verified
31Characteristics of Contemporary Collection- Thematic and Iconic AnalysisDownload
To be verified
32Characteristics of Contemporary Collection of Indian Folk and Minor ArtDownload
To be verified
33Thematic Change in Contemporary Collection of Indian Folk and Minor ArtDownload
To be verified
34Individual Expression in Contemporary Collection of Indian Folk and Minor Art Download
To be verified
35Cultural Condition: Colonial and Postcolonial Bengal - Part IDownload
To be verified
36Cultural Condition: Colonial and Postcolonial Bengal - Part IIDownload
To be verified
37Contextualizing Folk idiom - Part IDownload
To be verified
38Contextualizing Folk idiom - Part IIDownload
To be verified
39Contextualizing Folk idiom - Part IIIDownload
To be verified
40Coexistence and Collaborations with Mainstream ArtDownload
To be verified
41Alternative Context: Place of Folk Art in Contemporary LifestyleDownload
To be verified
42Need of Paradigm Shift - IDownload
To be verified
43Need of Paradigm Shift - IIDownload
To be verified
44EndnoteDownload
To be verified


Sl.No Language Book link
1EnglishNot Available
2BengaliNot Available
3GujaratiNot Available
4HindiNot Available
5KannadaNot Available
6MalayalamNot Available
7MarathiNot Available
8TamilNot Available
9TeluguNot Available